Electric Guitar Effects Pedals Archives

Electro Harmonix Freeze


If your looking for sustain then this pedal does just that. However, unlike sustain produced by most compressor/sustainers, the Harmonic Freeze is more of a real time sampler.

Produce a note or chord, press the pedal switch, and the note will be held for as long as you want it via the momentary footswitch.

The pedals is well constructed and features an Effects Level control, plus a three position switch which enables the user to select the decay rate from fast to slow, or change the function of the footswitch from momentary to latch.

Electro Harmonix FreezeThe opinions of musicians who have bought this pedal are very positive, and rates an average of 4.5 out of 5. The pedal is perfect for a sound-on-sound effect which works equally well with Electric or Acoustic guitars

The Harmonix Freeze is a pedal which inspires experimentation, and is an excellent tool to help practice scales. It is quoted that when used live, this pedal is like adding another musician to your band.

Considering its inspirational qualities, the potential of the Electro Harmonix Freeze is enormous and is seen an invaluable tool for song writers.

So all in all, using the Freeze is like adding a piano type sustain pedal to your guitar. It is not a looper as such, so it will not retain your modulation effects. However, it does create a seamless snapshot of your sound, which can be maintained forever if you want it.

The sound quality is great and is reported as being crisp and clear, although a small drop in the low end occurs – not enough to cause a negative response however.


Summary: Electro Harmonix Freeze

The Electro Harmonix Freeze is a great, simple to use sustain which faithfully sustains any note or chord that you produce, and seems to inspire the creative juices of the guitarist from the word go.

Features

  • Real time sample capture
  • Infinite sustain of any chord or note, via the momentary footswitch
  • Three mode switch for fast or slow decay, or a latch mode for infinite sustain
  • Smooth transitions between captures
  • Handles pedal board input gains
  • Feels like adding another musician to your band
  • Inspires those creative juices
  • Ideal for songwriters

Above is a price comparison list of the top online suppliers of the pedal. If you are interested in buying the Electro Harmonix Freeze, or you would like to read more information or reviews, then CLICK any listing above.

To see to Harmonix Freeze in action, see the Youtube Video below.

Many thanks for visiting Electro Harmonix Freeze at Electric Guitar Effects Pedals. We hope you found this review helpful.

Electro Harmonix Freeze

 

 

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Keeley Compressor Pedal


The Keeley Compressor is a pedal which is more expensive than some of the other compressors we have reviewed, but considering the high spec components and design its not surprising.

This guitar Stompbox is a studio grade design offering true bypass switching for an unaffected clean sound when the pedal is off.

The circuit board is constructed using hand-matched transistors to a tolerance of less than 1%, plus metal film capacitors and resistors which reportedly produces the cleanest compression available.

All these high spec components produce a perfectly compressed signal, eliminating unwanted distortions.

Keeley CompressorFeaturing an internal input sensitivity control, the Keeley Compressor is very effective in the studio for other instruments including drum machines, keyboards, mastering and other line-in uses.

Comments from musicians who use this pedal, rate the pedal very highly and we are hard pressed to find a negative response, except for maybe the price – but then, you get what you pay for.

The Keeley cleans up chord work completely, and the single note sustain is superb. The power consumption is extremely low, only 5mA, so a standard 9 Volt DC battery lasts a real long time. Of course the pedal also has an AC adapter connector.

The construction is rugged, with a nice clean looking design. Plus the Keeley Compressor has a reputation for reliability.

Keeley Compressor

Summary

General opinion seems to be that the Keeley is an extremely high quality and highly rated pedal. Many musicians who own a Keeley often comment that they would buy another if anything happened to their existing box.

Features

  • Well constructed and reliable
  • High tolerance components matched to within 1%, producing excellent compression and sustain
  • Low battery consumption, only 5mA
  • True bypass
  • Internal attack control
  • Input sensitivity control, enabling use with other instruments such as Keyboards, Drum Machines etc.
  • Ideal for studio use
  • More expensive than some other compressors, but this is offset by the overall quality.
  • Editors Pick Award from Guitar Player Magazine

Below is a price comparison list of the top online sellers of this pedal. If you would like any further information or comment reviews, click any product.

Also, at the bottom of the page is a YouTube video of the Keeley Compressor in action.



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Keeley Compressor

 

 

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Boss CS-3 Guitar Compresson Sustainer


The Boss CS3 is constructed within a rugged metal enclosure, and comprises four controls – Level, Tone, Attack and Sustain – plus a footswitch.

The specifications quoted are that the CS-3 delivers a smooth sustain, with a balanced string response. The pedal boasts clarity and punch at any volume, and is an ideal pedal for the studio. On its own it produces a clean sound, or is great in front of a chorus or distortion pedal.

That’s the official line, so what are guitarists saying about it?

Well, initially there seem to be a number of negative comments, so let’s get them out in the open first.

The Cons.

Various people have commented that although the control functions are quite comprehensive, getting a nice sound is difficult, or results in noise or feedback.

The battery life is very short as the Boss CS-3 consumption is quite high.

Using the Sustain produces a lot of noise, while the Attack control creates a rather artificial sound.

Boss CS-3The Pros.

Considering the negative comments, this pedal still has an overall average of 4 out of 5 stars rating, which is pretty good. Matters of noise and control etc have been addressed by other musicians and some of these problems may be caused by the pedals position in the effects loop, or the level and control settings of the other devices in the loop.

One solution is to place the Boss before other effects like your reverb or distortion. Having this pedal on at the same time as your distortion can produce some serious feedback – not always a bad thing if that’s what you are looking for.

The pedal is cool for tightening or cleaning up your sound, and with perseverance on learning the effect of just subtle use of the controls, creates an end result that is well worth the effort.

As most guitarists use a power supply for their pedals anyway, the high battery consumption no longer matters.

Many guitarists have used the Boss CS-3 for many years and would not be without one, so perhaps this pedal can’t be that bad after all.

Boss CS-3 Guitar Compresson Sustainer

Conclusion

Despite some negative comments, this pedal still rates highly amoung the majority of guitarists, and at under $100, is good value for money. Its main feature are:

  • Goood rugged construction
  • Reliable
  • Cleans up and tightens your sounds
  • Produces great sustain
  • Good range of control functionality with Tone, Attack, Level and Sustain
  • Requires careful control use and position within effects loop to gain best results
  • Needs 9V power supply to avoid high battery use
  • Good value for money

If you are interested in purchasing the Boss CS-3 or would like to see more musician reviews, then below is a price comparison list of a number of the top online sellers of this pedal. Click any link for further details.

Also, see the YouTube video at the bottom of the page to see the Boss CS3 in action


Many thanks for visiting Boss CS-3 at Electric Guitar Effects Pedals

Boss CS-3 Guitar Compressor Sustainer

 

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MXR M-102 Dyna Comp


The MXR M-102 Dyna Comp Guitar Compressor is a very simple pedal, and with just two controls – output and Sensitivity – there is not much that can be detailed when describing its features.

The Dyna Comp uses a signal limiting processor which varies its gain, while maintaining a constant output signal. The pedals produces a nice clean infinite sustain – so there you have it – a nice simple compressor. The only thing left to say is that it has a nice bright LED.

Or is it?

There are a great many reviews written by Guitarists who have bought this pedal which indicates just how popular the Dyna Comp is. We would say that the vast majority of users rate it as 5 out of 5. Here are a few common views that have been written, which may help you decide whether the Dyna Comp is for you or not.

MXR Dyna CompThe Dyna Comp has been around for many years, and is known to give many years of reliable service. The construction is in a rugged metal casing, with two nice rotary control knobs, plus a sturdy metal footswitch.

Due to the lack of controls – only sensitivity and output – this guitar compressor is very easy to use, especially for live work. The two supplied rubber control covers enable the settings to be altered with your foot.

The compressor is very effective when use in the pedal chain, to clean up a lot of the noise and hiss associated with a typical hook up.
The power socket is on the side of the box, instead of the end as with most other effects pedals. This has been a source of annoyance for some.

Summary MXR M-102 Dyna Comp

Overall, the MXR M-102 Dyna Comp guitar compressor pedal, is rated as a no ‘bell and whistles’ pedal which does a good job and – at the time of this writing – is good value at just under $70 dollars.

Overview

  • Simple to use – only two controls
  • Rugged metal enclosure Reliable pedal, giving many years of service
  • Popular pedal amongst musicians and has high average star rating
  • Produces nice clean sustain

If you are interested in purchasing this guitar effects pedal, a price comparison list of the top online suppliers is shown below. Also, a YouTube video is at the bottom of the page, showing the Dyna Comp in action.



Many thanks for visiting MXR M-102 Dyna Comp at Electric Guitar Effects Pedals

Dyna Comp

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Electro-Harmonix Classics Black Finger

“The only opto-isolator photocell – dual vacuum tube compressor pedal on the market.”

 


This is how the pedal is quoted, but what does it mean in practicle terms?

The Electro Harmonix Black Finger Compressor Pedal boasts that it uses the same professional techniques that are used by the high end multi thousand dollar Studio Compressors. The big difference with these highly revered compressors however, is the cost. At under $200 the Black Finger comes in the form of a compact foot pedal.

As described, the Black Finger Is a Dual photocell opto-isolator. The design uses two types of light sources – one a lamp and the other a LED (Light emitting Diode). As such, one tube manages the compression stage, while the other handles the Gain.

So, whether you are using the Compressor with your Guitar, Bass or Vocals – or even as part of an effects loop – the Black Finger delivers the type of Wave shaping that other plug-ins or digital/analogue products simple cannot achieve – unless costing thousands of dollars of course.

Black FingerFurther to the tube design, most other tube type products use between 9 and 50 volts of swing to enable compression, whereas the Black Finger design has a full 300 volts, making this a true tube compressor in every sense.

The pedal is a mixture of compressor, Booster and Valve Preamp. It versatility makes it ideal for both Bass and Electric Guitar. The pedal is easy to overdrive and the sounds it produces are very good.

One downside however, may be the learning curve necessary to learn how to configure it properly. Some people have expressed quite negative initial comments when trying the pedal for the fisrt time. However, almost all have fallen in love with the pedal as they have mastered the controls, and would not now be without one in their Guitar Effects arsenal.

It is good to have the Tone Shaping controls to be able to create a wide range of sounds and effects, but this comes with a price of having to get to grips with the settings, compared with some of the simpler plug-in an go cheaper models. It depends on what you want – versatility of sounds, or ease of use.

For a beginner, it may be best to choose a cheaper and simpler compressor. But hey; with perseverance the Black Finger produces some awesome tones, even for the beginner.

Summary

The Electro Harmonix Black Finger produces warmth and life into any instrument that you are playing, and is great for recording too.

So, to summarise its features and performance:

  • Dual Tube Compressor Circuits
  • One tube handles Compression, the other Gain
  • Full 300 volts of swing
  • Unique varied compressions from two light sources – Lamp and LED
  • Well made sturdy construction, ideal for stage use
  • Reliable operation
  • Requires time to learn the controls to full effect
  • All you need from a tube compressor. Shapes tones and produces good sustain.
  • Skill level: Semi-pro; though with perseverance, beginners can also enjoy the great effects this pedal bangs out.
  • Nice looking finish

If you are looking to buy this pedal, check out the price comparisons below from some well known online sources. Also at the botton of the page is a Youtube Video showing the Harmonix Pedal in action.


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Electro-Harmonix Black Finger Tube Compression Pedal

 

 

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MXR Distortion III


Another effects pedal from MXR to join their range of stomp boxes is the MXR M-115 Distortion III Pedal.

Billed as a distortion pedal which delivers anything from sweet singing overdrive to massive distortion crunch, this box is versatile enough to cope with any style of playing, yet will not cloud your guitars personality.

As with all MXR pedals the MXR Distortion III is constructed within a heavy duty enclosure, with a good quality switch and jack sockets for lifetime use.

With its carefully selected components and propriety electronic design, the MXR Overdrive pedal is a quite pedal which delivers rich harmonic tones. As stated the MXR is a quite pedal that only produces much in the way of noise until the Gain is cranked right up.

MXR Distortion IIISpeaking of Gain, the range of this control produces anything from light distortion to modern Metal. However, even when maxed out, the notes still retain their clarity.

The controls comprise of Tone, Gain and Output. Nice and simple, this enables the player to easily dial the sound that they like.

So for an Amp-like distortion which is warm and round, which is not overly harsh at the high end and has a smooth EQ, then the MXR Distortion III is a modern day classic.

Features

  • True hardwire bypass
  • Low noise components
  • Large dynamic output range
  • Proprietary circuit design that delivers rich harmonics
  • Dynamic, touch-sensitive response
  • Your guitar’s tone and clarity retaine

If you are looking to buy the MXR Distortion III Pedal, see below for a price comparison on various leading online stores. Click on ‘Visit Store’ for further details and customer reviews.

If you would like to see and hear the Pedal in action, check out the YouTube Video which demonstrates the MXR in action.

 

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MXR Distortion III Effects Pedal


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If you would like to hear the MXR in action, check out the Video below – Enjoy.


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MXR Distortion III

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Emma ReezaFRATZitz II Overdrive and Distortion Guitar Effects Pedal

 


The Emma ReezaFRATzitz Overdrive and Distortion pedal is a Danish made Effects Pedal which is a well constructed unit having a good quality switch, and smooth feeling controls.

This is a second generation Reeza  pedal which has had low and high frequency controls added, to further enable you to fine-tune your effects

This stomp box certainly has the type of name that you have to repeat a few times, to get your head round it. However, despite its handle, the ReezaFRATzitz is an excellent quality overdrive and distortion pedal which stands out from the crowd. Offering an incredible full bodied crunch, this Pedal emulates the overdrive distortion effects of a real Tube Amp.

Emma ReezafratzzitzThe Pedal comes with five controls – Level, Low, High, Gain and Bias. On low levels, the box produces some nice plexi tones. However, for great sounding Metal, crank up that Level control and prepare to be blown away.  Low and High controls are fairly explanatory, enabling control over the treble and bass.

Probably the secret of the incredible tonal quality of the pedal is the Bias control. Emma reports that this allows the user to change or ‘morph’ between Class A and Class B biasing. The resulting harmonic change of the signal provides a wider variation of ‘tones’ found on your normal distortion.

Class A mode provides a sweet saturation found with the Vox AC30. For Class B, turn the control clockwise to achieve the thick chunky sounds of a Fender or Marshal. Altering the control over these two modes, enable the user to produce a wide variety of tonal options.

Features

  • Footswitch
  • Level controll
  • Low & high controls
  • Bias control

If you are looking to buy the Emma, see below for a price comparison on various leading online stores. Click on ‘Visit Store’ for further details and customer reviews.

Also below is a YouTube Video which demonstrates the Boss SD1 in action.

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Emma ReezaFRATZitz II


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Emma ReezaFRATzitz Overdrive/Distortion Pedal

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I am seeking advice on an amplifier to purchase. I have almost targeted the tone which I desire. However, I am uncertain of which amplifier would best achieve it. Any advice would be greatly appreciated.

I am seeking a lightweight combo amp, preferably between an 8-12 inch single speaker. Unfortunately, at the point in life where I can finally afford a stack/cabinet, I have been worn out from hauling 100 lb speakers across states from show to show. Since it doesn’t appear roadies are in my immediate future, I had best purchase a small studio amp. I am also seeking a very particular tone. I have purchased far too many amps at this point that I eventually just settled with or fought tooth and nail to get a decent tone every show.

My guitar of choice is a:

1960 Reissue Custom Gibson Les Paul electric
With stock 496r and 500t humbuckers

Ideally for the tone I seek, I would play a Gretsch, or Gibson ES or Archtop. But I was hoping for some creative solutions. I love my Les Paul and would like to keep it as my #1. So I was hoping I might be able to get some advice of what might pair best with this guitar to achieve this tone.

Now for tone; I am completely inept at describing tone or choosing adjectives which supposedly embody a particular tone. So….here are a few examples of what I am looking to steal/emulate and what “I have read” they play. If anybody knows the name or a few adjectives to describe these tones – that would be great as well. I also apologize if I am incorrect in naming what these men play. I did the best quick research I could.

Greg Brown (Cake) – 1484 Silvertone

Jack White (White Stripes) – 1485 Silvertone 6×10
Silverface Fender Twin Reverb
With Big Muff pedal on MXR micro amp

Jeff Tweedy (Wilco) – Marshall JTM45
Vox AC30 head

Rich Robinson (Black Crowes) – Fender Tremolo through
Marshall cabinet
Fender Super Reverb
Fender Blues Deville
Fender Twin Reverb
Fender Tremoloux through 4×12
Marshall Silver Jublilee

I acknowledge that any help I can offer is vague, and apologize for that. I am leaning towards a Fender. I already know I dislike the Deville. I have played a Blues Junior and am okay with it; but afraid I would again be settling.

Additionally, I have never quite mastered effects. Would it be prudent to purchase a sustain pedal to accommodate whatever I purchase? Or should I be able to find acceptable sustain in the amp I buy?

I would very much like something that can swing from a bottom heavy, gritty (though not fuzzy) southern style rock to a smooth low overdrive high sustain jazz tone, with ideally, a mildy-overdriven Telecaster-ish flat picking tone – such as Greg Brown’s somewhere in the middle.

Last question; digital or non-digital? I know I am kind of all over the place in what I seek. Perhaps a Line-6 or Vox might be in order? As before, I would prefer something along the lines of a Fender; but if that’s not the appropriate amp, well then that’s not the amp I should get.

Thank you SO much to anyone who has some advice or time to waste on this. I am very excited for this purchase. And really, any advice will be greatly appreciated. Thanks again to everyone!!!

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I just switched from guitar to electric bass, and I’m looking to buy a pedal that will keep me happy until I can start buying more. I already have an overdrive/compression pedal so I’m set with that, but what other pedal should I get that will get me a sound like Jared Followill’s of Kings of Leon, for the majority of his songs? Chorus? Tremolo? Delay? etc

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Obviously, I know I can achieve vibrato by using standard technique, but I play the electric cello (which has a standard cello bridge) and want to emulate the "wah-wah" noise that electric guitar players can create. I’d love to get a tremolo(whammy?) bar effect going when I’m using rock distortion, but obviously I can’t manipulate the bridge without hurting the instrument. Any smart answers? Should I just buy a really expensive effects pedal? (I really hope a stringed instrument genius reads this) :)

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